mosaics are made from broken pieces but they’re still works of art and so are you
Nothing special - just a dog walking his shark
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one time in my last job a woman came up to the register explaining that when she bought stuff a day prior the clerk forgot to scan a pair of socks worth less than €2 and it was only right for her to bring it back to the store and pay for it proper. unfortunately my manager was directly next to me at the time and took over the register to handle this serious issue. the receipt she had brought with her said which register performed the previous transaction that forgot the socks and the manager could find out who was running that till on that day. poor dude had a manager yell at him for a half hour about how much of an incompetent fuck up he was, he left the job immediately after but i couldnt tell you if he quit or was fired
i think about this moment a lot. the customer seemed like a sweet woman with only good intentions and when she paid for the socks she had a look on her face that said "i feel good because i did the right thing". and a guy lost his job because of a pair of socks. if shit like this ever happens to you and a clerk forgets to scan an item just think of it as a small blessing or that you had good luck or something. keep it.
"White supremacy is still America's greatest sin and its deepest delusion." - Danté Stewart
Interview with the Vampire as cat pictures
If you have any additions please please add on to this I would love to see them
Sooo hilarious but I can completely see this being a real conversation between streaming execs 😏
(original vid: Asif Ali - instagram - https://tinyurl.com/2p8jpkzz)
“they even put an Indian guy in WandaVision”
hang on a second, I gotta look up something
yeah, this is really funny
Not to Spirk on main, but I think the dichotomy of Spock trying to mold himself into the perfect Vulcan for T’Pring and forcing himself to be more “human” for Chapel proves that he doesn’t belong with either of them. The point of Spock has never been about cleansing himself of emotions, OR releasing that secret inner human that doesn’t exist. The point has always been for Spock to be comfortable that he doesn’t fit neatly in either box; he’s just Spock. He needs someone who makes him feel okay just being himself. And that has always historically been Kirk.
It's Sisko Wiggle Wednesday
WHY DOES HE WALK LIKE THIS???? I was recently watching an episode with my friend and we had to roll it back because we kept laughing over the dialogue 😭
Why does he do that?
The Sisko Shimmy.
And for your consideration, the Boimler Boogie:
This is my favorite thread now
We are wiggling the week away!
I saw a post saying that Boromir looked too scruffy in FotR for a Captain of Gondor, and I tried to move on, but I’m hyperfixating. Has anyone ever solo backpacked? I have. By the end, not only did I look like shit, but by day two I was talking to myself. On another occasion I did fourteen days’ backcountry as the lone woman in a group of twelve men, no showers, no deodorant, and brother, by the end of that we were all EXTREMELY feral. You think we looked like heirs to the throne of anywhere? We were thirteen wolverines in ripstop.
My boy Boromir? Spent FOUR MONTHS in the wilderness! Alone! No roads! High floods! His horse died! I’m amazed he showed up to Imladris wearing clothes, let alone with a decent haircut. I’m fully convinced that he left Gondor looking like Richard Sharpe being presented to the Prince Regent in 1813
*electric guitar riff*
And then rocked up to Imladris a hundred ten days later like
Some people have been wondering about the raccoon. Listen. Listennn. Don't ask about the raccoon.
But does the racoon survive the Uruk-Hai? Does he curl up on Aragorn's head, or does he go straight to Faramir? Does he bite Denethor?
My friend. My colleague. My brother my captain my king. I too have been pondering this question, and in my mind there can be only one ultimate outcome.
A few months later
All hail the High Warden of Gondor.
Epilogue: It ADORES Faramir.
oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half - because really, the first half is pretty much a comedy - but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised - they didn’t know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesn’t specify exactly how the whole “take their life” thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison - but BAM he died and they all cried out - and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and that’s the story of how Shakespeare nearly started a riot at a juvenile detention centre
Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh
honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future
I played Claudio once and I fully support this
“When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period.”
Oskar Eustis
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